“Surrender yourself, as I have surrendered myself. Plunge into what you do not know, as I have plunged myself. Do not be worried to understand, to live surpass any understanding.” Clarice Lispector To think about the work of Rosane is something, which we cannot put apart her statement in the environment of her work. We are dealing with both intensity and surface. To take her position as a painter is an act of guerrilla, a kind of performance. Rosane acts on her pieces. Uncertain and firm brushes, defined colours, inscribed mixes. Her works search for a power in each single colour she uses on it. As the canvas and the paint are connected, is what bringing us herself as an artist. Rosane reinforces at her practice the paths of painting. Reinforces her importance, reinforces her reality, reinforces… She does without subtlety, she underlines the contrasts, underlines the figures, without maximize the figuration. The outlines, the brushes, are gestures of force. They are notes of decision. On the artistic digression, I am able to link Rosane to music. She would be the orchestra made only with drums, which operates everything to a clocked up rhythm, producing music of command from the body compass. Otherwise, it is in the intersection of been compass, almost into the silence, she would be, perhaps, even before of the non-compass, which the Rosane’s work lives and makes possible to live. She does not allow the silence, but she takes it along. Her series, multiples, the single canvas are transformed along, and with the time. Keyna Eleison, 2018 "Even to cut the own defects could be dangerous. We never know which is the defect, that sustains our entire building." Clarice Lispector